8 & 9 October 2015 - EMPAC
Recursive Frame Analysis
Returning to EMPAC after his 2013 multi-venue installation and performance, British artist Mark Fell presents Recursive Frame Analysis, a new work for light, sound, and human movement. As with many of Fell’s previous works, Recursive Frame Analysis emphasizes highly formalized aesthetic strategies: arrangements of intensely saturated light, raw synthetic sound, disrupted rhythmic structures, and kinetic systems that urge the audience to their perceptual and cognitive boundaries.
Taking its title from a therapeutic technique (RFA) developed in the 1980s, Recursive Frame Analysis refers to the cognitive patterns around which behavioral relationships and interactions develop; typically these are thought of as “stuck” and therefore also somehow problematic. The frame in the case of this performance could refer to the semiotic or the phenomenological: the structure around which meaning is formed, or a temporal space for multisensory “newness.”
Strobe lights will be used during this performance.
Mark Fell is a multidisciplinary artist based in Sheffield, UK. He is widely known for combining popular music styles such as electronica and techno with more academic approaches to computer-based composition, with a particular emphasis on algorithmic and mathematical systems. As well as recorded works, he produces installation pieces, often using multiple speaker systems. He started his career in the ’90s house and techno scene as one half of electronic duo SND and released The Neurobiology of Moral Decision Making earlier this year on label The Death of Rave.
Choreography: Brittany Bailey with Mark Fell
Dancer: Brittany Bailey
Dancer: Burr Johnson